The technique of using the kick drum as a side-chain to trigger the compression on the bass-line or other tracks is as common in today’s dance music as McDonald’s in the US. But to leave the compression on while turning the kick drum off for the whole track is a bold and innovative move.
If you are wondering what I am babbling about, listen for yourself to the new No Beats Mix version of Stimming’s excellent Kleine Nachtmusik. I’ve been playing the original for some time now (and probably still will be), so I was eager to find out how does the No Beats Mix sound? Surprising for sure! The kick is not there but still it’s triggering the compression and making the listeners dizzy… I didn’t have a chance to listen to the mix, maybe it make sense while player over some beats, but as standalone track it sounds really strange.
The track has been released on Sunday (Oct 26th) as part Buzzin’ Fly’s Chaos Restored Mixed and Messed by Justin Martin compilation/mix cd.